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image Image 1 for SM (74) 65/5/1 (75) 65/5/2
image Image 2 for SM (74) 65/5/1 (75) 65/5/2
  • image Image 1 for SM (74) 65/5/1 (75) 65/5/2
  • image Image 2 for SM (74) 65/5/1 (75) 65/5/2

Reference number

SM (74) 65/5/1 (75) 65/5/2

Purpose

Working drawings for the Gallery (2)

Aspect

74 Plan of top-storey of Mausoleum and south half of the Gallery 75 Outline plan for south half of the Gallery and elevation of a chimney stack

Scale

(74-75) bar scale of ¼ inch to 1 foot

Inscribed

74 (pencil) Dulwich 75 (pencil) some dimensions given for the skylights

Signed and dated

(74-75) datable to May 1812

Medium and dimensions

(74) Pen, pencil, sepia, rose pink and blue washes, partly pricked for transfer on wove paper (558 x 686) (75) pen, pencil, sepia and raw sienna washes, partly pricked for transfer on wove paper (512 x 670)

Hand

Soane office

Watermark

(74) 1810

Notes

Drawing 74 shows the arrangement of the Gallery skylights and the structure of the Mausoleum pendentive dome as built.

Drawing 75 clearly shows the chimney flues in the west wall of the Gallery, coloured in sepia wash; below is a preliminary design for the chimney stack. A developed elevation of the chimney design can be seen in drawing 77.

The heating systems employed in the new building are of particular interest. In 'Heating methods and their impact on Soane's work: Lincoln's Inn Fields and Dulwich Picture Gallery', Journal of Society of Architectural Historians, 52/1, March 1993, pp. 26-58, Todd Willmert writes about the contrast of heating. Similarly with the dramatic variations of light between the bright top-lighting of the Gallery and the dull amber glass lantern of the Mausoleum, there was a juxtaposition between the centrally heated Gallery and the unheated Mausoleum. It was to create a 'critical tension' between 'tomb and art'.

Literature

F. Nevola, Soane's favourite subject: the story of Dulwich Picture Gallery, 2000, (74-75) pp. 86 & 190

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).