Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [39] Presentation drawing for alternative design of Mausoleum, possibly exhibited at the Royal Academy

Browse

  • image SM 15/2/2

Reference number

SM 15/2/2

Purpose

[39] Presentation drawing for alternative design of Mausoleum, possibly exhibited at the Royal Academy

Aspect

Perspective of the east front and Mausoleum with lantern above

Inscribed

(yellow wash) View of a design for a Mausoleum to the memory of Sir Francis Bourgeois / and a Gallery for the reception of his collection of pictures bequeathed to Dulwich College

Signed and dated

  • datable to July 1811- 1812

Medium and dimensions

Pencil and coloured washes, watercolour technique, shaded, within a five-ruled pen and raw umber and black wash on thick wove paper (433 x 574)

Hand

Joseph Michael Gandy (1771-1843) (see note below)

Notes

This drawing along with SM 65/4/25, SM 65/4/26 and SM 65/4/27 are the first to show the alternative designs for the exterior of the Mausoleum; on plan as a cruciform projection with three false doors, one on each exposed side, crowned by scrolled acroterion. Above the burial chamber is the lantern. There are variations in the decoration of the Mausoleum, such as the position of the cinerary urns and the size of the canopy dome of the lantern. The dome is crowned by a stele, used in Greek architecture to mark a grave, which contributes further to the sepulchral atmosphere of the monument. In the top left hand corner of SM 65/4/26 there is a rough pencil drawing, in Soane's hand, for an urn. These drawings demonstrate that the Mausoleum has become a principal feature of the new wing. The lantern towers above the height of the Gallery.

SM 65/4/25 is a preparatory perspective for the presentation views of this drawing, SM 65/4/26 and SM 65/4/27. It is a sketch design, drawn by Soane, which he then would have explained before handing the drawing over to a pupil to draw up to scale as a finished design.

This drawing was possibly exhibited at the Royal Academy in 1812 (RA No. 810). It was titled 'Design for a Mausoleum to the memory of Sir F. Bourgeois, and a Gallery for the reception of his collection of pictures bequeathed to Dulwich College' (A. Graves, The Royal Academy of Arts: a complete dictionary of contributors and their work, from its foundation in 1769 to 1904, 1970, pp. 201). Although it is close to drawings SM 65/4/25, SM 65/4/26 and SM 65/4/27 from July 1811, it is possible that this perspective was drawn at a later date in 1812 for exhibition to illustrate an attractive design. It is drawn on a smaller sheet of paper and then mounted onto a larger sheet as a border for presentation. It was drawn by Joseph Michael Gandy, who was an assistant in the office from 1798 to 1801 and then he became an architectural perspective draughtsman and colourist until 1830. Soane does record in his note book entry for 12 October 1812 'Mr Gandy sent me a draw'g of D. Gall: as a present'.

These views also include the arcade seen in the previous plans, SM 65/4/62, SM 15/1/1 and SM 15/1/2, as a series of unadorned aches running along the east front.

Literature

F. Nevola, Soane's favourite subject: the story of Dulwich Picture Gallery, 2000, pp. 59 & 184

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).