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Reference number

SM 12/5/7

Purpose

Drawing for exhibition at the Royal Academy of Soane's R.A. Gold Medal competition design of 1776, made by J.M.Gandy, 1799

Aspect

15 Bird's eye view with the bridge reflected in the river and set in a rural landscape among trees and rocks, with mountains in the background

Inscribed

49 (yellow wash)

Signed and dated

March 6th 17[99] (right hand bottom corner missing)

Medium and dimensions

Pen, raw umber, sepia, blue and green washes, watercolour technique, pencil, shaded within triple ruled and sepia wash border on thick wove paper (657 x 987)

Hand

J.M.Gandy (1771-1843)

Watermark

1794 J Whatman

Notes

It is assumed that this is the drawing exhibited as a 'Design for a triumphal bridge', 1007, at the Royal Academy in 1799. Drawn by Gandy, the office Day Book for 11 February to 5 March 1799 shows him working on a 'Perspective View [or similar] of a Triumphal Bridge' for 18 working days.

Soane exhibited two drawings of a triumphal bridge in 1799 (see drawing 14). The annual Royal Academy exhibition always opened on 23 April of each year. The Day Book shows that the 'Putting [of] drawings into / frames for Exhibition' was done by Gandy and Seward on Friday 29 March 1799.

Inscribed on the verso of drawing 15 is: 4th Lecture 1820 R I and 6th Lecture 1819. When the drawing was used to illustrate Soane's lectures at the Royal Institution, it became necessary to remove the frame.







Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).