[45] Drawing of the monument made in preparation for engraving by C. J. Richardson and J. M. Gandy, 18 January 1828

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Monuments and mausolea
  - London: St Giles in the Fields burial ground (now St Pancras Gardens), Camden: Soane monument [the 'Soane Tomb'], 1816, 1828 (47)

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Reference number

SM volume 60/189

Purpose

[45] Drawing of the monument made in preparation for engraving by C. J. Richardson and J. M. Gandy, 18 January 1828

Aspect

View from south-west with shrubs and trees in the planting compartments that partly obscure the canopy and four-sided aedicule

Inscribed

(feint pencil) continued / -- (illegible)

Signed and dated

Jan^y18 1827 (in fact, 1828)

Medium and dimensions

Pencil on wove paper (249 x 174)

Hand

Charles James Richardson (1809-71, pupil and assistant 1824-37)

Watermark

(45) C Ansett 1821

Notes

The office Day Book has an entry dated 19 January 1828: 'Making a sketch of the Domus Aeterna in the burying ground near St Pancras Church / Richardson'.

In 1828 Soane published a resumé of his career, Designs for public and private buildings, that concluded with a 'Plan of the Monument' as shown on SM volume 60/101 and a view from the west without the trees and shrubs shown in this drawing.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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