Explore Collections Explore The Collections
You are here: CollectionsOnline  /  Imaginative reconstruction drawing of Soane's design for a Triumphal Bridge accepted by the Parma Academy in 1780, made by J.M.Gandy, January 1799
top left corner
top right corner
bottom left corner
bottom right corner
image SM volume 60/174

Reference number

SM volume 60/174


Imaginative reconstruction drawing of Soane's design for a Triumphal Bridge accepted by the Parma Academy in 1780, made by J.M.Gandy, January 1799


13 Preparatory perspective showing river and entrance fronts with stormy sky and mountains in the background


(pen, G.Bailey, curator 1837-60) View of a Design for a Triumphal Bridge made by Mr Soane at Parma 1780

Signed and dated

  • badly-nested tags: br

Medium and dimensions

Pen, sepia, blue, green, charcoal grey and yellow washes, watercolour, pencil, shaded on laid paper (475 x 736)


J.M.Gandy (1771-1843)


I Taylor


One of seven perspectives of Soane's designs for a Triumphal Bridge made by J.M.Gandy in 1799. A less finished, more free drawing than the others - the feint pencil outline of clouds and trees unerased - it was probably a preparatory drawing for the finished perspective that follows (drawing 14).

The perspective shows a seven-arched bridge with a domed centre and twin shallow, drum-like buildings supporting sculpture at each end. These 'drums' are the pivots to a semicircular carriage entrance that returns on each side with a semicircular corridor (for travellers on foot) embracing a wide flight of steps to the river.

An entry in the office Day Book for Tuesday 29 January 1799, has a note 'Mr Soane / Perspective Sketch of a Bridge / Gandy' that confirms the date on the drawing.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).