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image SM volume 62/1

Reference number

SM volume 62/1


Record drawing (made in 1796) of the design submitted to the Parma Academy in May 1780


8 Copies to a reduced scale of elevation from the river and (inscribed by Soane) The Plan of the Superstructure


to a scale, the plan (1/120 in to 1 ft approximately) to a smaller scale than the elevation


as above and (Soane) Design for a Triumphal Bridge with the domed centre and entrance halls on the plan labelled (Soane) Mars, Victory and Peace, and (added, pencil) 16 In.

Signed and dated

  • (pencil) Good Sept 1796

Medium and dimensions

Pen, sepia and light pink washes, pencil, shaded on thin laid paper (260 x 405)


Joseph Henry Good (pupil 1795-1800)


fleur-de-lis and IV


The office Day Book covering September 1796 shows that Good spent several days making 'fair drawings' for 'Mr Soane'. The design is related to the alternative (more complex) plan and elevation B made by George Dance. Presumably Good was copying from Soane's copies of his Triumphal Bridge design for the Parma Academy and both sets of drawings are now lost. (On Joseph Henry Good (1775-1857) see H.Colvin, Biographical dictionary of British architects, 1600-1840, 3rd ed. 1995)



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).