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  • image SM 29/1/2

Reference number

SM 29/1/2

Purpose

[8] Presentation drawing, more or less as executed, Elevation, 1787

Aspect

Elevation of the Entrance Front of Chillington near Woverhampton, the Seat of Thomas Giffard Esqre

Scale

bar scale of 1/9 inch to 1 foot (approximately)

Inscribed

8-9 as above

Signed and dated

  • c1787
    Datable to 1787 in accord with drawing 9, see note on hand below.

Medium and dimensions

Pen, cream, sepia and blue washes, shaded on laid paper (505 x 693)

Hand

Christopher Ebdon (c.1744 - 1824), draughtsman
Christopher Ebdon (1744-1824). Soane's 'Journal No 1' has an entry for 3 July 1787 - 'Deliver'd to Mr G a fair finished drawing of Perspective View of Chillington on a sheet of Imperial Paper, drawn by Mr Ebdon'

Watermark

J Whatman, fleur-de-lis within crowned cartouche and below, ornate W

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).