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image SM (1) 1/2/11

Reference number

SM (1) 1/2/11

Purpose

Design for the lantern in the Dividend Pay Office, built by Robert Taylor, 1785-88

Aspect

1 Plan & Sections of Office at the South East Angle of the Garden Court of late the Dividend Pay Office

Scale

bar scale of 1/6 inch to 1 foot

Inscribed

as above in George Bailey's hand (1792-1860, pupil and assistant 1806-37, curator 1837-60), Bank of England (Bailey), Level of Paving in Green Court and (in pencil, by Arthur Bolton, Soane Museum curator 1917-45) J Soane say 1790?, and dimensions of the lantern given

Signed and dated

1785-8

Medium and dimensions

Pencil, pen, grey, pink and yellow washes on wove paper (538 x 642)

Hand

Taylor office

Notes

Daniel Abramson notes that Taylor 'introduced an unprecendented type of top lighting' in the Transfer Halls.

Literature

D. Abramson, Building the Bank of England, 2002, p. 90

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).