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  • image SM 6/3/4

Reference number

SM 6/3/4


[1] Survey drawing of existing house, plan, 1785


Plan of house and offices arranged around two courtyards, the larger entered by a turreted gatehouse and with a chapel on the left-hand side and the old, thick-walled great hall in the centre; elevation of four bays of the eight-bay south front of 1724. Verso: very faint (pencil) part-elevation with a ? bowed portico in Soane's hand.


bar scale of 1/12 inch to 1 foot


some rooms labelled (by Soane): Brick Parlor, Entrance, China Closet, Cleaning Shoes, Servants Hall, (pencil) Lobby, Passage, Chapel, Bedroom, Bedroom, (?) Tapestry Room, Washouse, Laundry, for Ladys, Dairy, Dairy, Brewhouse, Bakehouse, (?) Sacristy and (below gatehouse) East, some dimensions given The drawing was mistakenly inscribed Earl Paulett Hinton St George by ? George Bailey (office assistant 1806-37, curator 1837-1860)

Signed and dated

  • c1785
    datable to 1785

Medium and dimensions

Pen with black and three tones of grey wash, pencil, pricked for transfer within single-ruled wide margin on laid paper, 2 sheets joined, old repairs (938 x 448)


Possibly Sanders, John (1768--1826) - Library - Catalogs, draughtsman
? John Sanders (pupil 1 September 1784-1790)


Whatman (twice), fleur-de-lis above cartouche with bar and below, ornate W


P.Dean, Sir John Soane and the country estate, 1999, pp.43-44, fig. 2.3 reproduces this plan



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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