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  • image SM 28/2/17

Reference number

SM 28/2/17

Purpose

[29] Alternative designs for the stables, January 1785 - c. November 1785

Aspect

Incomplete plan and elevations inscribed (Sanders) Sketch of design for the stable Offices, Tendring Hall

Scale

1/8 inch to one foot (approximately)

Inscribed

as above, old Step / to the indent, Ro.[und] Arch (five times), semi[circular] (twice), Recess, indent, Single Cornice & fascia between the Pavilions, Floor of Basement Story, Stone to the indent / 3 in deep, Floor of Stables 9 inches above the / floor of the Basement Story / of the House, Stone (?) ^house to the Circular Wall, Ro. Arch and some dimensions given, (verso, Baldwin) Tendring Hall / Stable Offices

Signed and dated

  • datable to c. November 1785 (on comparison with SM 28/2/14)

Medium and dimensions

brown pen, pencil, hatching on cartridge paper with three fold marks (600 x 490)

Hand

Soane

Notes

The unfinished sketch design by Soane, datable to about November 1785, is a simpler and more economical design than SM 64/3/101 or SM 64/3/105. The courtyard is now a semicrcle with two single-storey buildings with pavilion ends, its design consonant with that of Soane's sketch scheme for the kitchen offices (SM 28/2/14). Plate 21 of the design for a stable court at Tendring Hall published in Soane's Plans, elevations and sections of buildings erected in the counties of Norfolk and Suffolk, 1788 (1789) shows it much as it appears on SM 64/3/101, that is, with a detached, rounded square plan. It is possible that the stables were carried out in a reduced form. Soane's account book (SM 'Journal No1', p.73) has an entry dated 29 February 1788 - 'Sent enclosed with some Nails from / Watkins drawing for Workmen / of Ground plan of Stables and / Elevations on a sheet of Cartridge / Paper'. On 10 January 1789, Soane 'Paid Nicholls on Acct of Slating to / the Stable --- 60' with a further sum of £40 on 18 February 1789. In October 1789 £94.0.0 was paid 'for Painting &c, to Stables'. In fact, the slating and painting may not have been for new work but the repairing of the old, existing stables.

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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