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image Image 1 for (16) 28/2/12 (17) 28/2/7
image Image 2 for (16) 28/2/12 (17) 28/2/7
image Image 3 for (16) 28/2/12 (17) 28/2/7
image Image 4 for (16) 28/2/12 (17) 28/2/7
  • image Image 1 for (16) 28/2/12 (17) 28/2/7
  • image Image 2 for (16) 28/2/12 (17) 28/2/7
  • image Image 3 for (16) 28/2/12 (17) 28/2/7
  • image Image 4 for (16) 28/2/12 (17) 28/2/7

Reference number

(16) 28/2/12 (17) 28/2/7


Working drawings for south and east elevations (2)


16 (Baldwin) Tendring Hall. South Front to the Lawn and (verso) full size detail of cornice and blocking course17 (Baldwin) Tendring Hall. East Front to the Offices and (verso) full size detail of bell-flower (or husk) festoon and mantel shelf of chimney-piece (see drawing 54 for reduced copy)


16-17 scale of ¼ inch to one foot


16 as above, (Soane), omit (twice of basement windows) and window widths given, verso (Baldwin) Tendring Hall / Elevation of Front / to the Lawn and (Soane, pencil, of cornice) 8 Inches in the Wall 17 as above, window widths and some heights given, (of string course) Coades Composition, Recess / but no Sash fr[ame ?] (twice), verso (Baldwin) Tendring Hall / Front to the Offices, (Soane) Wall line, Line of Architrave, Marb[le], Line of frieze

Medium and dimensions

(16) Pen, sepia wash, pencil on laid paper (435 x 560) (17) pen, sepia wash, pencil on laid paper (430 x 565)


(16 recto) John Sanders (pupil, 1 September 1784-90), (16 verso) Soane (17 recto) Sanders (17 verso) Soane


16-17 J Whatman, fleur-de-lis above cartouche with bar and below, ornate W


Baldwin seems to have re-used Soane's discarded drawings (the versos). The incomplete set of elevations was made before the set of four drawings (18-21) made by Sanders. Evidenced by the 'omitted' windows of the basement, marked thus on drawings 16 and not shown on drawing 19. More interestingly, the first floor windows of the garden bow were made taller in Sander's drawing 19 where they are marked 9'0"while they measure 7 feet on Baldwin's drawing. Soane had wanted all the first floor windows to be the same height but Admiral Rowley (or more likely Mrs Rowley for it was her room) wanted them made taller.




Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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