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image SM volume 66/40

Reference number

SM volume 66/40


Record drawing of late design, copied 1794 or later


14 Copy of front elevation


to a scale

Medium and dimensions

Pen with sepia and green washes, shaded on laid paper (495 x 702)




Edmeades & Pine 1794 and fleur-de-lis within crowned cartouche with GR and 1794 below


There are many differences between the early design recorded in drawing 7: the oculus is larger with a lower upstand and no statues, the drum is higher, above the entablature are two sarcophagi with coats-of-arms and heraldic beasts, the frieze is Doric (triglyphs) instead of festooned, and the pyramids have funerary urns at the corners. This elevation by an unidentified pupil records the late (final) design shown in drawings 13 and 15.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).