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image SM (15) volume 41/80 verso

Reference number

SM (15) volume 41/80 verso

Purpose

15 Working drawing for a pedimented frame to an alcove in the Eating Room for H.G.Lewis Esqr, 6 August 1786

Aspect

Elevation of alcove and detail of egg and dart moulding for (pencil) Cornice in the Room adjoin[in]g --- / ---- ------ (illegible)

Scale

bar scale of 3/10 inch to 1 foot

Inscribed

as above, Eating Room / Entablature like Mr Branthwaytes / Eating Room / Base Moldings like Adml Rowleys Hall / Architrave to doors & Windows do and Cornice to Bedchamber like / the Small Room ---- (illegible) / at Tendring Hall, Chimney Piece to Bedchamber / like that marked A / Tendring Hall, Chimney Piece for Room ---- (illegible) / Chamber like that marked C / at Tendring Hall and This Architrave projects ½ an inch before the Wall & the remaing Moldings are sunk, Wall line, This Part stands before the Architrave ½ inch

Signed and dated

Aug:st 6 1786

Medium and dimensions

Pen, pencil on laid paper (242 x 360) bound into 'Precedents in Architecture' SM volume 41

Hand

John Sanders (pupil 1784-90)

Watermark

T French

Notes

The eating room was in the south-east corner of the new east wing and Soane was able to chisel out both an alcove and a wide recess from what had been a stout external wall of the old house. In drawing 11, the alcove is shown as round-arched but in this drawing, made nearly a year later, it is square-headed with a pediment supported on slim consoles.
Soane's readiness to re-use details is shown in the notes which refer to Admiral Sir Joshua Rowley's Tendring Hall in Suffolk (newly built from 1784) and Miles Sotherton Branthwayte's Taverham Hall in Norfolk (considerable alterations from 1784) (q.q.v)

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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