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image adam vol.19/111

Reference number

adam vol.19/111

Purpose

Academic exercise showing plan and elevation of a pavilion with modillion pediment above a three-bay opening of Ionic columns beneath a round arch. Below is a plan showing a square interior with chimneypiece.

Aspect

Plans, elevation

Signed and dated

Undated, between 1750 and 1760

Medium and dimensions

Pen, grey wash390 x 255

Hand

Adam Scottish Office

Watermark

IV

Notes

In the opinion of A. A. Tait, this drawing relates in time and place or subject to those contained in Adam volume 7.This drawing of a small garden pavilion is a simpler version of that in Adam vol.19/112. They may both be compared with the series of similar pavilions by James Gibbs (1682-1754) in A Book of Architecture (London, 1728), a copy of which was in the library at Blair Adam. William Adam also subscribed to the volume.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).