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You are here: CollectionsOnline  /  Record drawing of a rectangular, symmetrical panel showing acanthus foliage in the centre, on either side of which is a putto and a lion attacking a deer. Part of acanthus leaf border detail.
  • image Adam vol.26/124

Reference number

Adam vol.26/124

Purpose

Record drawing of a rectangular, symmetrical panel showing acanthus foliage in the centre, on either side of which is a putto and a lion attacking a deer. Part of acanthus leaf border detail.

Aspect

Elevation

Signed and dated

  • Undated, probably 1760 - 1763

Medium and dimensions

Red chalk 179 x 580

Hand

Nicolas-François-David Lhuiller (attributed to)

Notes

This panel can be related to the compositions by Nicolas-François-David Lhuiller (d.1793) in Adam vol.26/45 and 107. The motif of an animal caught up in a rosette is one used by James Adam in the entablature for his British Order of 1762 in Adam volume 7 (see Adam vol.7/69) and in The Works in Architecture of Robert and James Adam, London, 1773-79, part V.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).