There is a copy of this drawing in ink on tracing paper in the Victoria & Albert Museum (see Ward-Jackson, op.cit., II, p.154). The provenance of the V&A's drawing (Charles James Richardson 1806 - 71) reinforces its connection with the Soane drawing, as it does for Adam vol.26/111.
Robert Adam possibly used these drawings as a source adapted for his Luton candelabra of c.1775, which he described as 'Bronzes executed in Italy in the Style of Mich. Angelo' (see The Works in Architecture of Robert and James Adam, London, 1773-79, part III, pl.VIII).
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).