Explore Collections Explore The Collections
You are here: CollectionsOnline  /  Record drawing of part of a frieze panel showing in relief a gesturing half-putto next to a candelabrum. On the other side is a rearing lion amidst foliage. At the bottom is cyma reversa and ovolo.
  • image Adam vol.26/104
Use of images and copyright
Enlarge this Image
Print this image in A4 view  (icon indicating printer link)

Reference number

Adam vol.26/104

Purpose

Record drawing of part of a frieze panel showing in relief a gesturing half-putto next to a candelabrum. On the other side is a rearing lion amidst foliage. At the bottom is cyma reversa and ovolo.

Aspect

Elevation

Signed and dated

  • Undated, probably 1760 - 63

Medium and dimensions

Black chalk 235 x 430

Hand

Nicolas-François-David Lhuiller (attributed to)

Notes

This drawing and Adam vol.26/103 are companions to Adam vol.26/102. There is a larger version of this drawing in Adam vol.26/131-32, and 147-148; those in 26/131-132 are inscribed with a capital 'L' and all are probably by Nicolas-François-David Lhuiller (d.1793). The half-putti are found in Giovanni Battista Piranesi (1720-1778) (see the frontispiece to his Lapides Capitolini of 1762), and in fragments from the Forum of Trajan, Rome. There is a small and poor version of this composition in the Hermitage, St Petersburg, Russia (2145).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).