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  • image Adam vol.26/57
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Reference number

Adam vol.26/57

Purpose

Italy: Rome, Temple of Vespasian. Unfinished record drawing of a rectangular panel showing in relief four quarters of oak foliage and six rosettes, centred on another rosette. Parts of three borders are shown.

Aspect

Elevation

Inscribed

Inscribed in chalk in (possibly) a contemporary hand Giove Tonante; in chalk L (possibly a signature)

Signed and dated

  • Undated, probably 1760 - 63

Medium and dimensions

Black chalk363 x 299, central vertical foldline

Hand

Nicolas-François-David Lhuiller (attributed to)

Notes

There is a variation of this panel shown in Adam vol.26/47, which shows the borders in greater detail and with a wider centre; it is similarly inscribed as being from the Temple of Giove Tonante (Vespasian) in Rome. In terms of the draughtsmanship this drawing is a companion drawing to Adam vol.26/56.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).