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image Image 1 for SM volume 42/146 recto and verso
image Image 2 for SM volume 42/146 recto and verso
  • image Image 1 for SM volume 42/146 recto and verso
  • image Image 2 for SM volume 42/146 recto and verso

Reference number

SM volume 42/146 recto and verso

Purpose

Sketch design

Aspect

Plan with rectangular centre and two pavilions on left hand side and large service wing on right-hand side, the parts linked by colonnades; (feint pencil) alternative plan; Elevation with loggia (or portico in antis without pediment) and short (four-column) colonnade with pavilion ends. Verso, plan of central part labelled (pencil) Eatg, Ant[e room], Dr[awing] room twice, Lib[rary] and (pencil) alternative plan to a smaller scale

Inscribed

as above and (recto) Court, Kit[chen], (pencil) Dr, Eatin, Lib. (verso) Eatg, sums and (pencil) 28

Medium and dimensions

Brown pen, pencil, hatching on laid paper (355 x 239)

Hand

Soane

Watermark

IV

Notes

Soane has given up the idea of swept wings seen in previous schemes. He has though, quarter-circle courts as well as a semicircular court. Both this drawing and the previous one(142/145) relate to other of Soane's preliminary designs for a country house in a Palladian style (42/105-6, 115-116) in which upward and downward curved plans are tried, and the elevations have either a double-height portico or a single-storey loggia/portico.It is not known whether Soane had a client and site in mind, nor is it possible to establish a date. The design, draughtsmanship and indecisiveness might suggest an early date. references needed

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).