Explore Collections Explore The Collections
You are here: CollectionsOnline  /  Unfinished design showing a section through a domed hall with oculus with three bays and two windows on either side of a door with panels above. At the top of the sheet are details of pilaster capitals and a panel.
  • image Adam vol.7/226

Reference number

Adam vol.7/226

Purpose

Unfinished design showing a section through a domed hall with oculus with three bays and two windows on either side of a door with panels above. At the top of the sheet are details of pilaster capitals and a panel.

Aspect

Section, details

Scale

1 inch to 7 feet

Inscribed

Inscribed in ink in a contemporary hand Section of the great Room

Signed and dated

  • Undated

Medium and dimensions

Pen, pencil 318 x 203

Hand

James Adam

Watermark

crown above circle

Notes

The inscription suggests that this drawing is connected with the Edinburgh Assembly Rooms and Musical Society project of c.1755 (see Adam vol.7/194 and 225). However, the building shown in section is considerably smaller than the other proposals and may be connected with the casino for Robert Adam's house at 46 Lower Grosvenor Street, London (see A. A. Tait, Robert Adam: drawings and imagination, Cambridge, 1993, pp.83-85; and see also Adam vol.7/227 and 228).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).