Explore Collections Explore The Collections
You are here: CollectionsOnline  /  London: Parliament House (designs for). Design for a rectangular panel showing in relief a battle scene, with a prisoner in oriental costume facing two mounted figures, with soldiers behind. On the left are fleeing figures and dead bodies.
  • image Adam vol.7/53
Use of images and copyright
Enlarge this Image
Print this image in A4 view  (icon indicating printer link)

Reference number

Adam vol.7/53

Purpose

London: Parliament House (designs for). Design for a rectangular panel showing in relief a battle scene, with a prisoner in oriental costume facing two mounted figures, with soldiers behind. On the left are fleeing figures and dead bodies.

Aspect

Elevation

Inscribed

Inscribed in pencil in a contemporary hand Settemo; and in a different hand Battle of Placy 1761

Signed and dated

  • Undated, probably 1762-63

Medium and dimensions

Pencil, pen, brown wash with white heightening, partly oxidised, on brown washed paper 173 x 467

Hand

Antonio Zucchi (attributed to)

Notes

This composition is the seventh in a series of reliefs of contemporary and historic battles (Adam vol.7/47-59), all intended to be part of a programme of iconographical decoration for James Adam's Parliament House scheme of 1762/63. The drawings are probably all by Antonio Zucchi (1726-95), with his characteristic use of brown paper. The pencil identification and dating of each historical scene is probably in an early nineteenth-century hand.
The mounted figure on the right is probably Lord Clive with the Indian commander Mir Jaffier before him. The figures are stylised and there is little attempt at any form of characterisation. The Battle of Plassey took place in 1757.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).