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You are here: CollectionsOnline  /  Capriccio showing the interior of a ruined, domed temple with columns, niche and pedimented doorway, which is beside a temple front of two bays on a vault, and is set within a landscape. In the foreground are architectural fragments; beneath trees is an urn on a pedestal.
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image Adam vol.55/98

Reference number

Adam vol.55/98

Purpose

Capriccio showing the interior of a ruined, domed temple with columns, niche and pedimented doorway, which is beside a temple front of two bays on a vault, and is set within a landscape. In the foreground are architectural fragments; beneath trees is an urn on a pedestal.

Aspect

Perspective

Inscribed

Inscribed in ink on drawing 98

Signed and dated

Undated, probably 1755 - 56

Medium and dimensions

Pen, grey wash170 x 190

Hand

Robert Adam

Notes

This drawing is a companion to a similar composition in wash in Adam vol.55/99, which presents another view of a ruined classical interior. The drawing may also be associated with several of the watercolours attributed to Charles-Louis Clérisseau (1721-1820) in volume 56 that take the sarcophagus as their theme.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).