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You are here: CollectionsOnline  /  Unfinished capriccio showing a building with a five-bay portico with pediment on a basement with aedicular door, with recessed five-bay wings approached by a double staircase, above a balustrade with sculpture. Below this is a small plan of the elevation showing a symmetrical composition.
  • image Adam vol.55/57

Reference number

Adam vol.55/57

Purpose

Unfinished capriccio showing a building with a five-bay portico with pediment on a basement with aedicular door, with recessed five-bay wings approached by a double staircase, above a balustrade with sculpture. Below this is a small plan of the elevation showing a symmetrical composition.

Aspect

Elevation, planverso elevation

Inscribed

Inscribed in ink on drawing 57

Signed and dated

  • Undated, probably 1755 - 56

Medium and dimensions

Pen, black chalk204 x 233

Hand

Robert Adam

Verso

Capriccio in pen showing a small building with five-bay portico and pediment on a rusticated basement with doorway flanked by staircases on either side of the basement door. It is a smaller version of the elevation on the recto, with the wings reduced from five bays to one. The scheme is similar in style and composition to the elevation shown in Adam vol.55/36.

Watermark

names

Notes

There is a smaller version of this elevation on the verso.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).