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image SM Adam volume 45/59

Reference number

SM Adam volume 45/59

Purpose

[4] Design for the south front of the house, possibly executed, c1789

Aspect

Elevation of a two-and-a-half-storey, seven-bay building, with a flat roof and an additional wing to the west. The central three bays are canted. On the ground storey there is a Doric colonnade surmounted by an iron-work balustrade. Beyond there is an entrance surmounted by a broken pediment, articulated by Ionic columns. To the west there is a three-bay, pedimented pavilion wing with a tripartite window, formed with a Doric screen on the ground storey, and on the first storey there is a balustraded Venetian window To the east of the building there are preliminary designs of additional buildings (pencil)

Scale

bar scale of 1 inch to 10 feet

Inscribed

South Front / (and in the hand of William Adam, underwritten in pencil) of a House for Robert Udney Esqr

Signed and dated

c1789

Medium and dimensions

Pen, pencil and wash on laid paper (464 x 248)

Hand

Possibly
Office hand, possibly Robert Morison or Daniel Robertson, with part title inscription in the hand of William Adam

Watermark

Fleur-de-lis within a crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 30
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).