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image SM Adam volume 45/62

Reference number

SM Adam volume 45/62

Purpose

[5] Design for the stables, possibly executed, c1789

Aspect

Above - Elevation of a two-storey, eleven-bay building, with a hipped roof surmounted by a central clock tower and a vane. On the ground-storey, the central bay contains an entrance, with a Diocletian window above, all set within a relieving arch. The first, fourth, eighth and eleventh bays project and contain further entrances, with oculi above. The ninth and tenth bays contain carriage ways surmounted by further Diocletian windows Below - Plan of an eleven-bay building, containing coach houses and stables

Scale

bar scale of 1 inch to 10 feet

Inscribed

Offices for Robert Udeny Esqr at Teddington (in the hand of William Adam, underwritten in pencil) / (underwritten in pencil) Room for Saddles / Stable / Harness room / Co[_] house / Coach house / Coach House and some dimensions given

Signed and dated

c1789

Medium and dimensions

Pen, pencil wash and pink wash on laid paper (336 x 223)

Hand

Possibly
Office hand, possibly Robert Morison or Daniel Robertson, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 30
King, 2001, Volume II, p. 226
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).