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image SM Adam volume 28/52

Reference number

SM Adam volume 28/52


[11] Finished drawing for the third scheme for the mausoleum, 1761, unexecuted


Elevation of a two-storey, domed, circular building within an Ionic closed colonnade, and resting on a square, rusticated basement of three bays. There is a central Doric aedicular door, flanked by niches, and ornamented with a band of festoons and ox skulls; and with further doors, niches and rectangular panels behind the colonnade. Figurative sculptures crown the colonnade, and the upper register has oculus windows and a frieze of anthemia and strigils beneath the dome


bar scale of 3/10 inch to 1 foot


Design of a Mausoleum proposed to be Built at Bowood Park in Wiltshire by / The Right Honble The Countess of Shelburne / Being a Second Elevation for the plan / Marked C and some measurements given (verso) 1

Signed and dated

  • 1761
    Robt Adam Architect 1761

Medium and dimensions

Pen and wash within a single ruled border on laid paper (478 x 636)


Adam office hand, possibly Agostino Brunias, and with inscriptions in the hand of Robert Adam


Bolton, 1922, Volume II, Index p. 4
King, 2001, Volume II, p. 215
For a full list of literature references see scheme notes.



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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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