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image SM Adam volume 24/227

Reference number

SM Adam volume 24/227

Purpose

[35] Design for an ornamental panel, possibly for a drawing room, c1779, possibly executed

Aspect

Elevation of an ornamental panel as Adam volume 24/275, with minor alterations and varied colored washes

Scale

to a scale

Signed and dated

c1779

Medium and dimensions

Pen, pencil and coloured washes including Indian yellow, pink, cerulean blue and black on laid paper (168 x 492)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Verso

Preliminary design for an ornamental panel, with detail of a tripod in relief ornamented with ram masks and with an apron of swags and surmounted by an urn. Above this there is a tablet containing a cameo flanked by festoons, this is surmounted by a figurative roundel. Above this a tubular flower from which suspends calyx, ribbons and peltoid shields

Literature

For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).