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  • image SM 40/2/2

Reference number

SM 40/2/2

Purpose

[54] Design 'No 1' for the ground floor of the new offices, February 1812

Aspect

Plan of the ground floor

Scale

bar scale of 1/6 inch to 1 foot

Inscribed

Messrs Praeds & Co, (in Soane's hand) Design No 1 / (in a later hand) For Additions to the Premises in Fleet Street, labelled (in Soane's hand and an office hand): Part of the / Banking House, Staircase, Lobby, Strong Clo, Clos, Qy Iron Gate, Iron Gate, Lobby, Water / Closet, Porter's / Bed Room, Waiting Room,15.0, 15.0, 14.0, Clerk's / Sitting Room, 16.0, Staircase, --- ---- (illegible), --- (illegible), Passage into Cliffords Inn

Signed and dated

  • February 1812
    (in Soane's hand) Lin Inn Fields / Feb 1812

Medium and dimensions

Pen, sepia and pink washes, pricked for transfer within four ruled sepia and black wash border on stout wove paper (308 x 460)

Hand

Charles Tyrrell or Robert Chantrell

Notes

The rear of the banking house is to the bottom left of the plan. Access to the new offices is either by a lobby at the rear of the house or else directly from Cliffords Inn Passage (labelled as 'Bulls Head Court' in other drawings). The new offices have three rooms plus a lobby, closets and a water closet. Alterations were made to the drawing by Soane.

The date of 'February 1812' refers to when the drawing was delivered to Praed. The drawing was made in January 1812 by either Charles Tyrrell or Robert Chantrell.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).