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Design for the dining room, 1777, as executed (1)

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Adam’s designs for the dining room were executed, and the ceiling and plasterwork survive in situ. A chimneypiece to the design shown in the elevation also survives, along with painted roundels attributed to Angelica Kauffman. King notes the use of shallow decorative arches, and compares this to Adam’s designs for the dining room at Roxburghe House, the Hall at Nostell Priory and the music room at 20 Portman Square. The arches maintain their decorative plasterwork, but King observes the addition of mirrors surrounded by plaster ornamentation which are not Adam in design.

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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