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  • image Image 1 for SM 80/1/54
  • image Image 2 for SM 80/1/54
  • image Image 1 for SM 80/1/54
  • image Image 2 for SM 80/1/54

Reference number

SM 80/1/54

Purpose

[5] Working drawing, Mouldings for Great Staircase, 13 August 1789

Aspect

Details of Moldings to / Sky light of Great Staircase at Tawstock (verso) details of mouldings for the Great Staircase at Tawstock

Scale

(recto and verso) full size

Inscribed

(recto and verso) as above, Sir Bouchier Wrey Bart, Moldings to / Sky light / full size, projection of Fillets to the Great (sic), Ceiling, Section of Soffite / of frame round Sky light (verso) face of plaister, Architrave to Doors / full size, face of plaister, Plinth 6 Inches high, Base Moldings / full size, The height of one of the Steps determines this / space and the Moldings are to to correspond both / in height and projection with the Nosing of / Step, C., face of plaister, this Egg / is to be exactly / equal in height / with that part / of the Nosing of / the Step mark'd / C., A. String Level with Landing / full size

Signed and dated

  • 13 August 1789
    (recto and verso) Copy Augt 13 th 1789

Medium and dimensions

Pen, sepia and light red washes, pricked for transfer on cartridge paper (661 x 518)

Hand

Soane Office, draughtsman
Soane office (? William Lodder (1757-1827), assistant 1789-1796)

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).