[21] Design for the bottom panel for shutters for the second drawing room, 1778, possibly executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Hill Street, number 31 (later 17), London, designs for a rear elevation, interiors and furniture, for Sir Abraham Hume, 1778-1780 (64)
      - Design for panels for the window shutters for the second drawing room, 1778, possibly executed (3)

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Reference number

SM Adam volume 24/276

Purpose

[21] Design for the bottom panel for shutters for the second drawing room, 1778, possibly executed

Aspect

Elevation of a panel ornamented with a tablet containing an urn flanked by winged sphinxes, surmounted by a pedestal, which is ornamented with a rosette and swags and bears a turned baluster and urn. The urn is ornamented with gadrooning and festoons of drop calyx, and is surmounted by an anthemion. The tablet has an apron consisting of guttae, an ox skull, festoons of beading with pendent rosettes, festoons, a wreath of husks enclosing drop calyx and a further rosette, and a pendent oil lamp

Scale

to a scale

Inscribed

Bottom of Shutters for the Second Room at Sir Abraham Hume’s in Hill Street / 55

Signed and dated

Dec 1778
12 Dec.r 1778

Medium and dimensions

Pen and pencil on laid paper (309 x 412)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Watermark

GR surmounted by a fleur-de-lis within a crowned cartouche

Literature

Bolton, 1917, p. 6
Bolton, 1922, Volume II, Index p. 41

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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