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image SM Adam volume 24/267

Reference number

SM Adam volume 24/267

Purpose

[28] Design for an ornamental panel, possibly for a drawing room, 1779, possibly executed

Aspect

Elevation of a panel ornamented with a central figurative roundel enclosed within an octagonal compartment flanked by crossed thyrsi. Above this there is a wreath enclosing calyx and a tubular flower surmounted by a draped figure, arabesques and a further tubular flower bearing a swan. The roundel has an apron of arabesques, figure-of-eight wreaths enclosing drop calyx, and tubular flowers. Below this there is a suspended tablet, ornamented with a central patera set within a lozenge flanked by pilasters enclosing fauna, all surmounted by putti, and with an apron of ox skulls, beading and a pendent urn

Scale

to a scale

Inscribed

Sir Abraham Hume / 46

Signed and dated

12 Feby 1779

Medium and dimensions

Pen, pencil and coloured washes including pick, black, Indian yellow and cerulean blue on laid paper (185 x 801)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Watermark

JWHATMAN

Literature

Bolton, 1922, Volume II, Index p. 41
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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