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image SM Adam volume 20/205

Reference number

SM Adam volume 20/205

Purpose

[36] Design for an overmantel mirror frame for the second drawing room, 1779, possibly executed

Aspect

Elevation of a tripartite mirror frame, with paired, herm pilaster stiles ornamented with calyx, and these flank urns surmounted by arabesques and a contiguous band of wreaths enclosing calyx. The capitals form socles, which are ornamented with fans and surmounted by winged sphinxes. The central compartment is surmounted by a fluted socle ornamented with an ox skull and swags, and bearing a harp, flanked by winged putti. Below this there is an apron of festoons of calyx, and drop calyx with pendent rosettes and a peltoid shield

Scale

to a scale

Inscribed

Glass frame over Chimney Piece in second room at Sir Abraham Hume’s in Hill Street / 205

Signed and dated

Adelphi / 11. Janry 1779

Medium and dimensions

Pen, pencil and coloured washes including Indian yellow and cerulean blue on laid paper (299 x 473)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Watermark

GR surmounted by a fleur-de-lis within a crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 40
Harris, 1963, p. 56
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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