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  • image SM Adam volume 20/201

Reference number

SM Adam volume 20/201

Purpose

[59] Design for an overmantel mirror frame, 1779, possibly executed

Aspect

Elevation of a tripartite overmantel mirror frame, ornamented with ram masks, festoons of husks and bands of laurel leaf tips. The central compartment is surmounted by an urn, enclosed within a wreath, and flanked by griffins with tails forming arabesques

Scale

to a scale

Inscribed

Glass frame over Chimney Piece in the Eating room at Sir Abraham Humes in Hill Street / 201 / (and in pencil) N / O / N / N / O / N

Signed and dated

  • Jan 1779
    Adelphi / 11. Janry 1779-

Medium and dimensions

Pen, pencil and coloured washes including Indian yellow on laid paper (296 x 435)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Watermark

JWHATMAN

Literature

Bolton, 1922, Volume II, Index p. 40
Harris, 1963, p. 56
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).