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image volume 57/9

Reference number

volume 57/9

Purpose

[33] Working drawing for the drawing-room, May 1787

Aspect

Copy of details for Moldings at large for the Bookcase / in Drawing Room using a roundel with dog rose motif and a festoon of bellflower and ribbon, with detail of Moldings on the front of Shelves

Scale

full size

Inscribed

as above, A to project ¾ inch before B / An additional thickness must be put / on the Pilasters to form the / Grooves which are to be molded / like those at Letton (Letton Hall q.v.), Front of Shelves, Moldings on the front of Shelves, lettered A B (twice) and E, and Revd Archdeacon Gooch

Signed and dated

May 1787

Medium and dimensions

Pen, sepia and light red washes, shaded on laid paper (284 x 444)

Hand

Pupil 1786-91 John McDonnell, draughtsman
John McDonnell

Watermark

fleur-de-lis above cartouche with bar and below, ornate W

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).