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image Image 1 for SM 29/4A/3
image Image 2 for SM 29/4A/3
  • image Image 1 for SM 29/4A/3
  • image Image 2 for SM 29/4A/3

Reference number

SM 29/4A/3

Purpose

[3] Design for a new house, two plans for ground floor, 24 June 1789

Aspect

Two plans for ground floor (both as drawing 2 save for entrance) with (right-hand side) a flier with plan of chamber floor, alternative elevations for the entrance front, and elevation of the east front of the house with four bays of the re-modelled seven-bay service wing

Scale

bar scale of 1/15 inch to one foot

Inscribed

inscribed as drawing 2 (recto)

Signed and dated

copy IVNE XXIV MDCCLXXXIX

Medium and dimensions

pen, sepia, light red and black washes, shaded on laid paper with one fold mark (471 x 596)

Hand

Pupil 1788-94 Thomas Chawner, draughtsman
Thomas Chawner (December 1788-1794)

Watermark

J Whatman, fleur-de-lis above cartouche with bar and below, ornate W

Notes

Drawing 3 offers an alternative design for the front. In each, the plan is the same as that of drawing 1 and the right-hand elevation is also the same as that of drawing 1. However, though the massing is the same, the left-hand elevation offers a pedimented portico in antis with, on either side, a two-storey, round-headed and recessed arch framing an upstairs and downstairs window.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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