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image SM 6/1/4

Reference number

SM 6/1/4

Purpose

[11] Presentation drawing for additions to the ante-library, 1791

Aspect

Plan and laid out elevations, with flier for an alternative design for the west wall

Scale

bar scale of 2/9 inch to 1 foot

Inscribed

The Earl of Hardwicke, Design for the alteration of the Library at Wimpole, Wimple / Section of Anti Library

Signed and dated

Datable to 1791 in accord with the other drawings in this group

Medium and dimensions

pen and coloured washes, including pink, burnt umber and blue, within double-ruled wash border on laid paper with three fold marks (590 x 471)

Hand

Pupil 1788-94 Thomas Chawner, draughtsman
Thomas Chawner (1774-1851, pupil 1788-1794)

Watermark

Portal & Bridges and fleur-de-lis within crowned cartouche and GR below

Literature

D. Hussey, 'Wimpole Hall: the home of Mrs Bambridge, III', Country Life, CXLII, 14 December 1967, p.1596; D. Stroud, 'The charms of natural landscape: the park and gardens at Wimpole II', Country Life, 13 September 1979, p. 762; D. Adshead, Wimpole: architectural drawings and topographical views, National Trust, 2007, p.70.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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