[172] Variant design and working drawing with segmental pedimented cap, 13 November 1801

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Pitzhanger Manor, Ealing, London: (executed) a house for John Soane and six unexecuted schemes for a villa at Acton, 1800-1832 (285)
    - Gated entrance, c. 1800 - December 1801 (23)
      - Variant designs and working drawings with segmental pedimented cap, 10-18 November 1801 (8)

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Reference number

SM 32/1/9

Purpose

[172] Variant design and working drawing with segmental pedimented cap, 13 November 1801

Aspect

Elevations without central brickwork arch, one without side gates

Scale

bar scale of 3/8 inch to 1 foot

Signed and dated

13 November 1801
Nov: 13: 1801

Medium and dimensions

Pen, brown pen and sepia wash on laid paper (517 x 353)

Hand

Possibly Seward, Henry Hake (1778--1848), draughtsman
Henry Hake Seward (1778-1848, pupil and assistant 1794-1808) or Thomas Sword (pupil 1799-1804) (Day Day Book 13 November 1801) Soane
Possibly Thomas Sword, draughtsman
Henry Hake Seward (1778-1848, pupil and assistant 1794-1808) or Thomas Sword (pupil 1799-1804) (Day Day Book 13 November 1801) Soane
SOANE, Sir John (1754--1837), architect
Henry Hake Seward (1778-1848, pupil and assistant 1794-1808) or Thomas Sword (pupil 1799-1804) (Day Day Book 13 November 1801) Soane

Literature

P. Dean, Sir John Soane and the country estate, 1999, p. 93; G. Darley, John Soane: an accidental Romantic, 1999, p. 158; J. Summerson, 'Sir John Soane and the Furniture of Death', The Unromantic Castle and other essays, 1990, p.135

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).