- Published Work: Soane/Baroque/Adam/other architects
Drawings 120 and 121 show the music room as built, drawn by Joseph Michael Gandy when he visited the site in 1798. The design of the room slightly varies from that shown in an earlier perspective (drawing 95), omitting the fluted pilasters and with the windows spaced further apart. The middle window on the west wall projects slightly into the room to mirror the facing chimney-piece. A guilloche pattern is omitted on the ceiling.
See SM 14/1/9 for a lecture drawing showing an interior perspective of the music room as in drawing 121.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).