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  • image SM 53/5/20v

Reference number

SM 53/5/20v

Purpose

[274] Preliminary survey on completion, Court of Equity, c 9 October 1825

Aspect

Details and sections of the lantern light, various mouldings and wainscot associated with the Court of Equity, as executed

Scale

not to scale

Inscribed

dimensions given

Signed and dated

  • c 09/10/1825
    dated in accodance with drawing SM 53/5/20

Medium and dimensions

Pencil, pink wash, pen, on wove paper (280 x 214)

Hand

Attributed to Charles James Richardson (1806 - 1871), draughtsman
A very similar, if not the same hand, appears on SM 53/5/20

Watermark

J Whatman / 1823

Notes

The sheet has clearly been removed from a bound volume. The details include those shown on Drawing SM 53/5/4v.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).