[104] Design and presentation drawing for the exterior, 14 January 1801

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Pitzhanger Manor, Ealing, London: (executed) a house for John Soane and six unexecuted schemes for a villa at Acton, 1800-1832 (285)
    - More fully realised designs for Pitzhanger Manor, December 1800 - October 1801 (50)
      - Design and presentation drawings for the exterior, January 20 and 14 1801

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Reference number

SM 14/2/7

Purpose

[104] Design and presentation drawing for the exterior, 14 January 1801

Aspect

Perspective of the lawn front and Dance wing set in a landscape

Signed and dated

14 January 1801
Jan^ry14^th1801

Medium and dimensions

Pen, sepia, yellow ochre, dark green, pale green, crimson, cerulean blue, Naples yellow, Payne's grey, Prussian blue and raw umber washes, watercolour technique within a triple-ruled grey and black border, on wove paper (618 x 944)

Hand

Joseph Michael Gandy ARA (1771 - 1843), draughtsman
Benedictus Antonio van Assen (1767 - 1817, fl. c.1788), draughtsman
J.M. Gandy (1771-1843) and additions by A. van Assen

Watermark

1794

Literature

Helen Dorey, 'Sir John Soane's Pitzhanger' in Trackers, exhibition catalogue, PM Gallery and House, 2004, p.21 P. Dean, Sir John Soane and the country estate, 1999, pp.93

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).