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Two sketches made on the same day showing the extant and the proposed Pitzhanger, 25 October 1800 (2)


This pair of drawings seem likely to be by Gandy given their stylistic similarity to some of his other pencil sketches and the fact that the relevant Day Book mentions him in connection with Ealing on that day, although Thomas Sword and Henry Hake Seward are also mentioned in connection with Pitzhanger.

The above drawings are evidently a pair, intended as a record - one for the house as it had been and the other for what it would eventually become. At this stage building works at Pitzhanger were at a very preliminary stage, so drawing 94 cannot be a sketch from life but must rather have been taken from designs within Soane's office.



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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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