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  • image SM Adam volume 28/23

Reference number

SM Adam volume 28/23

Purpose

[25] Alternative design for the principal storey of the opera house, c1789, unexecuted

Aspect

Plan of the principal storey of the opera house, with the central horse-shoe-shaped auditorium, formed with a curved north wall, and containing bench seating surrounded by boxes, with a passageway beyond. The passageway provides access to the assembly rooms (west) and to a further north passageway, which links to the east entrances. The stage is positioned to the south of the auditorium, and the proscenium is set with a columned screen. The wings and stage flats are shown to the east and west. To the south-east there is a green room, and to the south-west there is a painting room for scenery, both have entrances leading to the rear of the stage. The east front is formed with a balcony set before the paired, curved staircases forming the King’s stairs, and this is flanked by single-bay pavilions with tripartite windows. Beyond this the ten bays to the north are receding, with a central five-bay portico with paired exterior staircases. The nine-bay assembly room to the west is divided by columnar screens. There is a tripartite ceiling with a central square compartment ornamented with a rosette set within a band, encircled by festoons of calyx, a further band and with corner rosettes, and this is flanked by compartments ornamented with paterae, crossed with bands of calyx. This tripartite ceiling is paired with a further ceiling of the same design

Scale

bar scale of 1 inch to 10 feet

Inscribed

Painting room 31.6 by 24.6 / 25.6 / 13.0 / 50.0 / Great Assembly room for Dancing Supping etc. 139. Feet long by 32.6 wide / 15.0 / 25.6 / Scenes / Scenes / Green room 17 by 28 / King Stairs 40 by 17 / Royal Anti Chamber 17 by 28 / 21 by 20 / 23.6 by 21.0 / 12 by 11 / 10 by 11 / (and in the hand of William Adam) Below this story is the Great Entrance shew[ing] figures on the Elevation / No 2 [?] [_ _ _ _] and some dimensions given

Signed and dated

  • c1789
    c1789

Medium and dimensions

Pen and pencil on laid paper (726 x 525)

Hand

Possibly
Office hand, possibly Robert Morison or Daniel Robertson, with an additional inscription in the hand of William Adam

Verso

7

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index p. 40
Sheppard, 1960, Volume XXIX, (i), p. 249
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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