line scale of 1/10 inch to 1 foot
Law Courts at Westminster. / Copy of Plan sent to the Surveyor General / with Report 6 Jan[uar]y. 1830. / Part of Westminster Hall. / B. / Solicitors & others attending on the Barristers / Steps leading to the / House of Commons / A / Barristers Consulting / Room / Staircase to / the House of Commons / Barristers' / Robing Room. / Area (x 2) / Sealer's Room / Library / Masters in Chancery. / S[ain]t. Margaret's Street / The Lord Chancellor's / Robing Room. / Attendants on / the Lord Chancellor. / Vestibule / Grand Inquest Jury. (x 2) / W[ater]. C[loset]. (x 4) / Staircase / Area / 4 Urinals. / The Court of Chancery. / Tribunal / Part of the Vice-Chancellor's Court / Note. the part tinted Red in / the Plan shews the site of the proposed /
Signed and dated
Lincolns Inn Fields / 6 Jan[uar]y 1830.
Medium and dimensions
Pencil, wash, coloured washes of yellow, red and blue, pen, pricked for transfer on wove paper (357 x 528)
Bailey, George (1792--1860), draughtsman
The Day Book entry for 6 January 1830 notes that George Bailey was About Plans [_] on the / Alterations proposed to be made / adjoining the Court of Chancery.
Smith & Allnutt / 1827
The plan is a valuable record of the allocation of accommodation within The Stone Building and to the rear of Westminster Hall at this date.
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation.
This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
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