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image SM 53/2/44

Reference number

SM 53/2/44


[267] Duplicate working drawing, Court of Common Pleas, November 1825


Plan of the main (ground) floor of the Court of Common Pleas, and entrance from Westminster Hall and the Public Corridor, with furnishings, and two sections through the latter, almost as executed


bar scale of 3/8 inch to 1 foot


Court of Common pleas. / Plan of the Seats and other Fittings - / (pencil) desk (x 2) / desk [and] Seat for At[torneys] / door for students / Judges /Seat (x 4) / Seat for Public (x 3) / Seat for public with back / table dimensions given

Signed and dated

  • 01/11/1825 - 30/11/1825
    Nov[embe]r. 1825

Medium and dimensions

Pencil, pen, wash, coloured washes of yellow, blue and orange, pricked for transfer on wove paper (522 x 701)


Sir John Soane (1753 - 1837), architect
Soane Office, draughtsman
*[Tango Man]*


Smith & Allnutt / 1817


The drawing is inscribed in Soane's hand, and is closely related to drawing SM 53/2/45. There were minor changes to the layout of the furnishings in execution, and the draught lobby in the Public Corridor, as with those to the other Courts, was omitted or removed soon after installation.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).