bar scale of 1/10 inch to 1 foot
Plan of the New Courts at Westminster altered / agreeably to the directions of the Select Committee / 25th. Match 1824 / No. 1 (x 2) / Select Com[mittee]. / 12 April. No. 3 / 20 March / 5 / 12 / ·WESTMINSTER·HALL· / ·COVRT·OF· / COMMON·PLEAS· / ·THE ·IVDGES·RETIRING / ·ROOM· / WATER. / CLOSET. (x 2) / ·AREA· (x 2) / CORRIDOR. (x 2) / ·COVRT·OF·KINGS·BENCH· / ·BAIL·COVRT· /·ATTENDANTS-/ ON·THE· / LORD·CHIEF·BARON· / ·LORD·CHIEF·BARON’S· / ·RETIRING·ROOM· / ATTENDANTS ON· / THE·LORD·CHIEF·IVSTICE· / ·LOBBY· / ·LORD·CHIEF·IVSTICE’S. / ·RETIRING·ROOM· / ·COVRT·OF· / EXCHEQUER· / ·COVRT·OF·EQVITY· dimensions given
Signed and dated
John Soane Arc[hitec]t / Lincolns. Inn. Fields. / 9th. April. 1824.
Medium and dimensions
Pencil, pen, grey pen, wash, coloured washes of buff, pink and blue, within triple ruled wash border pricked for transfer on wove paper (558 x 443)
Sir John Soane (1753 - 1837), architect
Soane Office, draughtsman
Weatherley & Lane / 1818
This drawing is annotated in Soane's hand. As a proposal, it offers a variant treatment accommodating the radical reduction of the New Law Court's footprint to New Palace Yard. The junction between the façade to the latter and the pavilion tower of the Stone Building is handled by a polygonal turret, which recalls that belonging to the Elizabethan Exchequer range on this site, demolished in 1823. Originally this was drawn with a square groundplan, but erased and made octagonal during the drawing process.
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation.
This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
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