to a scale
Copy / Attorneys / The Court of King’s Bench / 40 feet by 20 feet / Tribunal / Remark Mr. S[oane]’s Court is 36 by 30 / Entrance / for / Counsel & / Juries / The Exche[quer] / Passage / The Lord. C[hief]. Justice / of the K[ing’s]. B[ench]’s / Retiring Room / 20 feet by 17 feet / The Court of Equity / Attendants on / The Lord Chief Justice / Hall of / Entrance / for My Lords the Judges / 17 feet Diam[ete]r. / The Door to / The Street / This Staircase / would be better / lighted by a / Window here / Remark / A. Porch with / another public / Entrance might / be made here if / necessary_ / The Bail Court / 30 feet long by 18 feet / Remark Mr. S[oane]'s. Court is 21 by 27 / N[ota]. B[ene]. The width may be increased to / 20 feet or even to 25ft. by allowing a / Passage thro’[ugh] one end of it as in / Mr. S[oane].s Plan.
Signed and dated
April. 13. 1824.
Medium and dimensions
Pencil, wash, pink wash, pen, red pen, pricked for transfer on wove paper (242 x 377)
The drawing bears numerous annotations and Remarks in a miniscule, neat hand which does not appear to be associated with the Soane Office. The annotations compare the proposed reductions in accommodation to those originally executed by Soane (referred to as Mr. S.). The sheet has been tightly cropped along its right and upper edges, presumably to preserve the only part of the plan which was effected by these proposals.
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation.
This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
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