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image Image 1 for SM 53/9/2
image Image 2 for SM 53/9/2
  • image Image 1 for SM 53/9/2
  • image Image 2 for SM 53/9/2

Reference number

SM 53/9/2

Purpose

[215] Finished drawing, Court of Chancery, c 1823-26

Aspect

Section through the main (ground) floor of the Court of Chancery, looking south, not as executed

Scale

to a scale

Inscribed

Sir J[ohn]. Soane / L[or]d. Chancellor's / Westminster (x 2)

Medium and dimensions

Pencil, pen, pricked for transfer on wove paper (217 x 208)

Hand

Possibly Charles James Richardson (1806 - 1871), draughtsman
attributed in accordance with SM 53/9/1

Verso

Pencil sketches of ornamental compartments and lozenges.

Notes

A companion piece to SM 53/9/1, here looking towards the Tribunal. As realised, the solid parapet to the gallery was replaced by an ironwork balustrade and the vertical screen oculi within the lantern light were replaced by arched openings. To the left is a two-storey lobby with linked this Court to the central block of The Stone Building, where its designated entrance from St Maragret's Street was located. This was among four drawings from the collection of Professor Sir Albert Richardson which were sold at Christies on 30 November 1983. Combined with drawing V&A 3306.53, they appear to have formed a series of record drawings, whose meticulous penmanship Pierre de la Ruffinière du Prey's has attributed to Charles Richardson.

Literature

Christies sale catalogue, 30 November 1983: p. 48, lot no. 89.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).