to a scale
Sir J[ohn] Soane / L[or]d. Chancellor's / Westminster (x 2)
Signed and dated
Medium and dimensions
Pencil, pen, pricked for transfer on wove paper (211 x 220)
Possibly Charles James Richardson (1806 - 1871), draughtsman
Smith & Allnutt
This is a companion piece to SM 53/9/2. As realised, the solid parapet to the gallery was replaced by an ironwork balustrade and the vertical screen oculi within the lantern light were replaced by arches openings. To the left is a two-storey lobby with linked this Court to the central block of the Stone Building, where its designated entrance from St Margaret's Street was located. This was among four drawings from the collection of Professor Sir Albert Richardson which were sold at Christies on 30 November 1983. Combined with drawing V&A 3306.53, they appear to have formed a series of record drawings, whose meticulous penmanship Pierre de la Ruffinière du Prey has attributed to Charles Richardson. This drawing also closely corresponds to a preliminary survey drawing of the same section, executed by Richardson and dated 8 February 1825 (drawing V&A 3306.61).
Christies sale catalogue, 30 November 1983: p. 48, lot no. 89.
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation.
This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing