scale of 1/8 inch to 1 foot.
Signed and dated
dated in accordance with SM 53/1/8
Medium and dimensions
Pencil, wash, coloured washes of yellow and pink, pen, pink pen, pricked for transfer on wove paper (620 x 422)
Sir John Soane (1753 - 1837), architect
Soane Office, draughtsman
likely to be by the same hand as SM 53/4/81.
The plan is drawn with west to the top of the sheet, and makes clear the incorporation of a buttress of Westminster Hall into the Court’s north wall. The north and south elevations include sections through the Vice Chancellor’s Retiring Room and the room for his attendants respectively, including their skylights. In the south wall, the central arch on the lower level open onto an adjacent lightwell. The core walls are shown with courses of battens within the brickwork; the lower part of the Court was wainscoted up to the springing of the lower arches. Sketched in the lower right, the corner detail relates to the cove of the ceiling, which begins at the same height as the springing of the upper arches (see SM 16/1/1). This preliminary design is in Soane's hand. As revised, the three arches in the east wall, which give access to the Public Corridor, were replaced by a single depressed segmental arch (see SM Vol 61/65).
Sawyer, 1999: p 536, footnote 1586
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation.
This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
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